Original na https://absurdevidence.radiostudent.si/borut/infrastructures.html
in
https://www.turborebop.net/infrastructures/infrastructures.html
INFRASTRUKTURE
/so izbrani deli radijskih in sorodnih dejavnosti s katerimi sem se njega dni srčno rad ukvarjal. Avtorstvo seveda pripada vsakokratnim udeležencem/
15. junij 1999: del otvoritve instalacije BIOTOP @Kapelica Gallery Ljubljana
https://www.3via.org/records/index.php?opt=item&id=8
april 1999: Borut Savski za ARS ELECTRONICA 99 -> BIOTOP intervencija št. 1 / skrajšano
https://www.3via.org/records/index.php?opt=item&id=8
BIOTOP
je bil projekt zvočne instalacije, ki sva jo oblikovala in izvedla B. Savski (Slovenija) and John Grzinich (ZDA). Osnova so bili razmisleki o samouravnavajočem sistemu – brez želje, da bi dodajala kakšno sintentično obliko inteligence – ostal je instrument v rokah ljudi – posameznikov, ki so se odločili za interakcijo z ‘mehanskim’ sistemom. Resda: ne preveč predvidljiv instrument. Medtem ko lahko mehanski sistem pretvarja med mehanskimi energijami, pa človeška udeleženost doda možnost pretvorb mehanskega v poetsko…
Instalacija/ performensi so potekali od 14. do 28. junija 1999 v galeriji KAPELICA, Ljubljana/ Slovenija.
february 1999: Borut Savski -> midi simfonietta lacrimosa…
https://www.3via.org/records/index.php?opt=item&id=15
Ta ‘stranski produkt’ je rezultat večjega števila različnih zvočnih utrinkov, ki so nastali leta 1998 kot rezultat mojih raziskav na polju preprostih algoritmičnih struktur – vsi na osnovi naključnih midi kontroliranih sekvenc. Orodje je bil računalnik Amiga 500 in program dr.T’s s KCS Levell II keyboard controlled sequencer (-> verzija iz leta 1991). Nekatere tako nastale midi sekvence so bile prenešene na sodobnejši računalnik s tam prisotnimi sampli. Nobenih dodatnih rezanj sekvenc ni bilo – le kombiniranje obstoječih zvočnih kosov v obsežnejši izdelek.
Thursday, 27th Nov 98: Grazer Valzer
https://www.3via.org/records/index.php?opt=item&id=22
Reni and Jogi Hoffmueller are a couple from Graz heavily involved in more extreme social and cultural activities there. Free RADIO HELSINKI in Graz (which was lost awhile ago) is still a realistic possibility for as long as they continue to think so. This soundtrack was constructed using whatever came to hands. Katarina and Borut joined in soon enough.
Sunday, 27th Sept 98: post_ARS_ELECTRONICA_trauma (the art of mixing contexts)
in Slovene language!
My view of contexts being mixed in a most uncritical manner at ARS ELECTRONICA 98 where we were to represent the result of the learning process of one year of internet media activities which (by_the_way) uncritically turn more and more into simple radio-transmitting of music, waiting to join the real media institutions (radio-stations, newspapers, TV-stations, galleries)
Thursday, 17th Sept 98, 24.00 CET: A night with sound artist JGrzinich from Austin/Texas travelling through soundscapes of Europe
An excerpt from three hours’ long soundscape by John Grzinich. A free description would be: soundscapes of landscapes (in view of his extensive use of ‘concrete’ sounds, layering it all according to his own poetic re-interpretation ‘of the way they used to be’). Live mix of recorded sound material was performed by the artist himself using pre-recorded sounds, some computer post-produced sounds a day before and extensive use of his & his friends’ CDs (Miroslav Rajkowski, MNortham, JGrzinich, Hans Caspar, etc…)
Saturday, 15th Avg 98, 22.00 CET to midnight: NORTH COAST NOISE COALITION (Astoria & Portland/ Oregon)
An example of an ‘asynchronous’ session (interaction between musicians was not in ‘real time’). Music & soundtracks as produced by (allround artist) Roger Hayes / ->CYANOSIS, Robert Clutter & friends /-> first two cd’s of MU label and some exclusive recordings of Roger Hayes’ live broadcast at Astoria community radio station KNMU/. The sonic excerpt was produced an hour later as a way of transcending the previous ‘formatted’ broadcast using parts from Robert Clutter’s and Roger Hayes’ CDs and especially the exclusive cassette recordings of Roger Hayes’ ARP monophonic synth. I glued it all together using the appropriate selection from my own ‘bank’ of raw sounds.
Beauty & The East (May ’97, LJUDMILA, Ljubljana)
introductory radio broadcast / 1:17:54 (including interviews with Gomma, publisher of Decoder at Milano, Peter Lamborn Wilson akka Hakim Bey) a cooperation of Josephine Bosma, Geert Lovink (both Radio Patapoe, Amsterdam), Diana McCarty, Luka Frelih (LJUDMILA), live DJing by ParaRadio, Borut Savski (MZX, Radio
Student Ljubljana).
radijska igra: STVARJENJE SVETA/ The Genesis (po Microsoftu) 20:58 (v slovenščini), Okt ’97
https://www.3via.org/records/index.php?opt=item&id=20
author of english original: lost in web; translation, adaptation, interpretation: Vesna Debeljak, Borut Savski; music: various (incl. Holst: Planets)
radijska igra: SREBRNI HODNIK /51:24/ (v slovenščini), Okt ’97
https://www.3via.org/records/index.php?opt=item&id=20
author: lost in memory; translation, adaptation, interpretation: Vesna Debeljak, live-mix & sounds: Borut Savski, Vesna Debeljak; also sounds by Caspar C.O.C./ Berlin